The main idea of the project is to creatively question the understanding of artistic, technological, environmental and human aspects of the radio as global, (inter)continental, regional, national, local and philosophical context that celebrates 100 years of broadcasting.
As concept, „Radio atelier“, focuses on practical, technical and theoretical experimentation with four aspects of radio production that are essential for conceptualization of creative decisions in the processes of making radio.
The radio TOOLS
Microphones, sound recorders, cables, programs for editing of sound.
A lecture on tools that are essential for radio production. From sound recording all to the sound production covering alternative tools like sound generators, or foley studio tools.
Sound COULISSES
Field recording
Sound map of Struga, Visni and Ohrid
A sound walks and lecture that focuses on strategies and technics for listening and recording of authentic soundscapes, architectural conditioned reverberations reflections…
Morphology of the ARTICULATION
Orality and literality
A concept of exercises for exploring the creative possibilities of creating new realities inside same textual expressions within the space between orality and literacy, all with the help of a creative methodology based on morphological table for variations.
Electroacoustic sound COMPOSITION
Composing the sound particles
Practical sound production module that considers work on artistic conceptualization for a storytelling with sound particles.
“Radio SPIRITS”
Electro Acoustic Sound Concert
At the end of the education concept as a crown of the project, one electro-acoustic sound concert called “Radio Spirits” is planned, this public event is going to test and reflect individual creativity and knowledge of participants.
Radio Atelier is financially and technically supported by
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